Feature Articles

People walking and socializing on a busy beach promenade with old and modern buildings, some under straw thatched umbrellas.

Close-up of a person's mouth with black lipstick, tangled yarn and thread inside the mouth, resembling a messy, yarn-filled tongue.

“Report from Havana: Within the Revolution, Everything—A Little While Longer” on the Havana Biennial, Art in America, September 2006

“Two Museum Shows Prove That the World has Always Been This Unhinged,” (on “Delirious: Art at the Edge of Reason 1950-1980” at the Metropolitan Museum of Art and “Generation Wealth” at the International Center for Photography) GARAGE/Vice, October 17, 2017

"Freestyling” (on “Freestyle” at the Studio Museum in Harlem), Art in America, September 2001

Painting of a woman with long blonde hair, wearing a black outfit, against a dark background.

“Report from New York: Bling and Beyond," on “Frequency” at the Studio Museum in Harlem, Art in America, April 2006

Timothy Greenfield-Sanders Porn Star Photographs

“Report from the Diaspora: The Afropolitans,” (on “Flow” at the Studio Museum in Harlem, Art in America, September 2008

“Photography: Body Double” (on Timothy Greenfield-Sanders “XXX: 30 Porn Star Portraits” at Mary Boone Gallery), Art in America, April 2004

Two women, one with eyes closed, wearing headscarves, close together in a black-and-white photo. The other woman is looking directly at the camera with a serious expression.

A woman in a dress is mid-shout or scream, standing behind a table with candles and a cake, in a black and white photo.

“An Artist's Provocative Photos of Family Life in a Damaged Town,” (On LaToya Ruby Frazier at Gavin Brown’s enterprise), GARAGE/Vice, January 1, 2008

“Report From New York II: Tales of Bohemian Glory” (on “East Village USA” at the New Museum of Contemporary Art, Art in America, May 2005

A stylized illustration of a smiling child wearing sunglasses and a hat, with two smaller children in front. The background features radiating lines and a small circular photo of a child at the top of the hat. The poster contains the phrase "We Shall Survive. Without a Doubt."

“Political Graphics: The Revolution Will Be Visualized” (on “Black Panther: The Revolutionary Art of Emory Douglas” at the Museum of Contemporary Art, Los Angeles; Art in America, June/July 2008

“Street Culture: Thrashers and Taggers” (on “Beautiful Losers: Contemporary Art and Street Culture” at the Contemporary Arts Center in Cincinnati, the Yerba Buena Center for the Arts in San Francisco, and the Orange County Museum of Art in Newport Beach, Art in America, January 2005

Pixel art screenshot of a video game showing three characters on a skateboarding ramp with a timer at the top, score and status at the bottom.

“Open Source Art” (on Cory Arcangel at Team and Deitch Projects), Art in America, January 2005

Three women in dance costumes practicing ballet on a wooden floor in front of a floral curtain.

“Dance: Rise West, Set East” (on Sarah Michelson “Shadowmann” at the Kitchen), Art in America, April 2002

A man dressed as a historical figure, wearing a wide-brimmed hat, with a long beard, holding a feather quill pen.

“Report from Santa Monica: In the Land of Make-Believe,” on “Identity Theft” at the Santa Monica Museum of Art, Art in America, September 2007

A man standing outdoors near a tree with a backpack, surrounded by shrubbery and open field.

“Photography: American Abject” (on the “Witness” exhibition of lynching photos at the New-York Historical Society [New York Historical]), Art in America, October 2000

Large white speaker cabinet with multiple black speakers and a control panel on the right side.

“Report from Ridgefield: Outlaws in Art Land” (on “Art at the Edge of the Law” at the Aldrich Museum of Contemporary Art), Art in America, November 2001

Two large plush toys, a lion and an elephant, are stacked on top of each other on a circular platform with writing on its sides, in a minimalistic gray room.

“Fashion Statement: Tom Sachs Reconstructs Our Consumer Culture,” Paper, August 2002

“Korea | Bellwether: Peninsula View” (on "Your Bright Future: 12 Contemporary Artists from Korea" at the Los Angeles County Museum of Art, Art in America, November 2009

Art exhibition featuring busts of a woman wearing ancient Egyptian-style headdresses and modern sunglasses, displayed on white pedestals with photos of a woman in front of each, arranged in a line.

“Isa Genzken Is Supreme’s Newest Frenemy,” GARAGE/Vice, February 7, 2018

“Theater: Daredevil Drama,” on Lava at the Flea Theater, Art in America, December 1999

“Ellen Harvey’s New Show is Solid Gold”(on Ellen Harvey at Mary Boone Gallery), GARAGE/Vice, November 2, 2017

“A New Gallery in Tribeca is Showing Paintings That Aren't Paintings” (on Michael Parmentier at Otuzar Projects), GARAGE/Vice, March 2, 2018

“Body Art: The Brawn of a New Era” (on “Picturing the Modern Amazon” at the New Museum), Art in America, May 2000

“Design: Challenging the Cruel Cubicle” (on "Workspheres: Designing the Workplace of Tomorrow" at the Museum of Modern Art, Art in America, October 2000

“Naked Truths” (on female nudes by contemporary female artists), ARTnews, March 2003

“Attack of the Abstract” on Jeremy Blake, Art in America, March 2002

“Ellen Harvey: Painting is a Low-Tech Special Effect,” Time Out New York, June 29–July 6, 2000

“Substance Abuse: The Films of Jennifer West,” Art on Paper, June 2008