Feature Articles
“Open Source Art” (on Cory Arcangel at Team and Deitch Projects), Art in America, January 2005
“Street Culture: Thrashers and Taggers” (on “Beautiful Losers: Contemporary Art and Street Culture,” Art in America, January 2005
“Report from Ridgefield: Outlaws in Art Land” (on “Art at the Edge of the Law” at the Aldrich Museum of Contemporary Art), Art in America, November 2001
“Attack of the Abstract” on Jeremy Blake, Art in America, March 2002
“Political Graphics: The Revolution Will Be Visualized” (on “Black Panther: The Revolutionary Art of Emory Douglas” at the Museum of Contemporary Art, Los Angeles; Art in America, June/July 2008
“Report From New York II: Tales of Bohemian Glory” (on “East Village USA” at the New Museum of Contemporary Art, Art in America, May 2005
“Report from the Diaspora: The Afropolitans,” (on “Flow” at the Studio Museum in Harlem, Art in America, September 2008
“An Artist's Provocative Photos of Family Life in a Damaged Town,” (On LaToya Ruby Frazier at Gavin Brown’s enterprise), GARAGE/Vice, January 1, 2008
“Report from New York: Bling and Beyond," on “Frequency” at the Studio Museum in Harlem, Art in America, April 2006
“Photography: Body Double” (on Timothy Greenfield-Sanders “XXX: 30 Porn Star Portraits” at Mary Boone Gallery), Art in America, April 2004
“Ellen Harvey: Painting is a Low-Tech Special Effect,” Time Out New York, June 29–July 6, 2000
“Report from Santa Monica: In the Land of Make-Believe,” on “Identity Theft” at the Santa Monica Museum of Art, Art in America, September 2007
“Theater: Daredevil Drama,” on Lava at the Flea Theater, Art in America, December 1999
“Naked Truths” (on female nudes by contemporary female artists), ARTnews, March 2003
“Body Art: The Brawn of a New Era” (on “Picturing the Modern Amazon” at the New Museum), Art in America, May 2000
“Fashion Statement: Tom Sachs Reconstructs Our Consumer Culture,” Paper, August 2002
"Freestyling” (on “Freestyle” at the Studio Museum in Harlem), Art in America, September 2001
“Korea | Bellwether: Peninsula View” (on "Your Bright Future: 12 Contemporary Artists from Korea" at the Los Angeles County Museum of Art, Art in America, November 2009
“Korea | Bellwether: Peninsula View” (on "Your Bright Future: 12 Contemporary Artists from Korea" at the Los Angeles County Museum of Art, Art in America, November 2009
“Dance: Rise West, Set East” (on Sarah Michelson “Shadowmann” at the Kitchen), Art in America, April 2002
“Photography: American Abject” (on the “Witness” exhibition of lynching photos at the New-York Historical Society, now New York Historical), Art in America, October 2000
“Isa Genzken Is Supreme’s Newest Frenemy,” GARAGE/Vice, February 7, 2018
“Ellen Harvey’s New Show is Solid Gold”(on Ellen Harvey at Mary Boone Gallery), GARAGE/Vice, November 2, 2017
“Report from Havana: Within the Revolution, Everything—A Little While Longer” on the Havana Biennial, Art in America, September 2006
“A New Gallery in Tribeca is Showing Paintings That Aren't Paintings” on Michael Parmentier at Otuzar Projects, GARAGE/Vice, March 2, 2018
“Two Museum Shows Prove That the World has Always Been This Unhinged,” (on “Delirious: Art at the Edge of Reason 1950-1980” at the Metropolitan Museum of Art and “Generation Wealth” at the International Center for Photography) GARAGE/Vice, October 17, 2017
“Substance Abuse: The Films of Jennifer West,” Art on Paper, June 2008
“Design: Challenging the Cruel Cubicle” (on "Workspheres: Designing the Workplace of Tomorrow" at the Museum of Modern Art, Art in America, October 2000
03
Book Projects
Paul Meréchal, Andy Warhol: The Complete Commissioned Posters, 1964–1987 (Prestel)· Jake Yuzna, Maria Lind, Claire Bishop, Michael Musto, and Genesis Breyer P-Orridge, THE FUN: The Social Practice of Nightlife (powerHouse and Museum of Arts and Design)· Papo Colo, Exit Art: Unfinished Memories (Exit Art | Steidl)Johanna Burton, Lynne Cooke, and Josiah McElheny, Interiors (Center for Curatorial Studies at Bard College)· Tom Eccles, Liam Gillick, Hans Ulrich Obrist, Philippe Pareno, and Beatrix Run, How Soon Is Now (Center for Curatorial Studies at Bard College | LUMA Foundation)· Ursula von Rydingsvard: Working (Prestel | SculptureCenter)Rachel Harrison: Museum with Walls (Center for Curatorial Studies at Bard College, Portikus, and Whitechapel GalleryNancy Princenthal, Hannah Wilke (Prestel)